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Saurabh is endearing in a role that has shades of the one played by Anupam Kher in Dilwale Dulhania Le Jayenge. While she is not able to highlight the character's mean streak in a couple of scenes, this definitely is a better outing for her than Marjaavaan. Ahan is supported by Tara Sutaria, who puts her best foot forward. The youngster brings an animalistic intensity to the table in the action sequences, which makes them feel all the more relatable.
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He emotes with his eyes to highlight the inner trauma experienced by his character.
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Tadap is unlikely to face any such problems as the writer, through Saurabh Shukla's character, highlight the ill effects of rage.Ĭoming to the performances, Ahan exceeds expectations as he does justice to a layered character. When Kabir Singh released in theatres in 2019, a section of the audience criticised it for 'glorifying violence'. In fact, even a film like Drishyam - widely regarded as one of Ajay Devgn's most underrated releases - did not appeal to the Malayalam audience as they were familiar with the major twist towards the end. This, however, is not a major issue as remakes invariably work if the audience is not familiar with the original work. There is a major reveal towards the end but it caters to only those who aren't familiar with the Telugu version. The film slows down a bit in the second half but never becomes unwatchable. While the twist isn't too unpredictable, it packs a punch due to the impressive packaging. The story takes a big turn towards the intermission, which forces the protagonist to channel his inner darkness. Their passionate lovemaking scenes have been shot aesthetically and will not make viewers squirm in his or her seat. These portions work reasonably well because of the crackling chemistry between the two.
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Tadap subsequently focusses on Ishana and Ramisa's love story through a series of well-executed flashback sequences. Tadap opens with an action-packed sequence that sets the stage for what is to follow and gives fans a glimpse into the hero's tragic past. The bold plot reaches its potential due to the sincere execution. While romance is an integral part of the narrative, this isn't a Kuch Kuch Hota Hai or a 96 as the storyline is quite dark and violent. His world is turned upside down when he falls for a local politician's daughter.Īlso Read | Was drawn to 'Tere Siva Jag Mein' due to its melody, relatable lyrics: Shilpa Rao on 'Tadap' song This week's big Bollywood release Tadap is an action-packed romantic drama that caters to the 'Gen Y' audience and proves to be a good launch vehicle for actor Suniel Shetty's son Ahan. The film, a remake of the Telugu blockbuster RX 100, revolves around the life of a simpleton named Ishana, who lives happily with his 'daddy' and hangs out with his friend 'Lol'. Rani Mukerji was recommended by Aditya Chopra at the last moment.Cast: Ahan Shetty, Tara Sutaria, and Saurabh Shukla He said Aish called me back and said politely no for this movie. Karan Johar added he approached to Aishwarya Ray, Tabbu, and Urmila for this role but no one responded his request except Aishwarya Ray Bachchan. She said, ”what? that”s all you have to say?” I said yes because I know you”re right.” She was aghast,” he recalled, adding: “She told me, ”what have you shown? That a girl has short hair, so she”s not attractive, and now her hair is long and she”s pretty? What do you have to say to this?” I said I”m sorry. I remember (actress) Shabana Azmi saw the film somewhere in the UK and she called me. “KKHH(kuch kuch hota hai) is the most politically incorrect film. It past 23 years of the film bht still it has newness and freshness continue among his fans. The film continues to be a fan favourite, but the director feels the romantic-drama is the most politically incorrect film. Filmmaker Karan Johar made his directorial debut in 1998 with “Kuch Kuch Hota Hai”, starring Shah Rukh Khan, Kajol and Rani Mukerji.